LEILAH WEINRAUB PORTFOLIO



Director & Artist
Based in Los Angeles & New York

NEWS
• Los Angeles Times  [link]
• Made in L.A. 2025, Hammer Museum  [link]


ABOUT
WORK
CV
CONTACT


lw@leilahweinraub.com
@leilahworld

Leilah Weinraub is a director whose films and video works have been presented at the Whitney Biennial, Hammer Museum, MoMA PS1, Tate Modern, the São Paulo Biennial, and the Berlinale. Her practice spans feature documentary, short-form experimental cinema, and multi-channel video installation, often extending onto screens, stages, and public space.
Available for visiting-artist appointments, seminars and conversations.









CV



Professional ExperienceFilm Director and Artist

Founder & Principal, Texarkana
2020–present

Co-founder; CEO, Hood By Air
2010–2018

Visiting Artist2025 — Columbia University (MFA Art) Visiting Artist, Studio visit. 

2025 — Yale University (MFA Art) Visiting Artist

2025 — Rikers Island Jail Library Program (NYPL)
Artist talk + workshop

Select Bibliography & Press2025 — Los Angeles Times
“With The Kids, Leilah Weinraub Creates Performances for the Future,” by Fariha Róisín (October 16, 2025)

2025 — Made in L.A. 2025 Catalogue, Hammer Museum.
“A Nonviolent Choice,” essay by Terence Nance; curated by Essence Harden and Paulina Pobocha, p. 295.

2024 — “Kiernan ‘Knives’ Francis and Leilah Weinraub on Innuendo, Belonging, and the New York Dream”, Interview Magazine. 

2022 — BUTT Magazine
“Laid Back and Getting Laid in LA,” by Michael Holt.
Issue 31, Autumn 2022, p. 12.

2021 — Marfa Journal
“Ottessa Moshfegh in Conversation with Leilah Weinraub.”
Photographs by Rachel Chandler; Styling by Malina Joseph Gilchrist.

2021 — i-D Magazine
“The Former CEO of Hood By Air on How the Brand Ended Fashion,” by Atheel Elmalik.
The Darker Issue, Winter 2021.

2021 — May Revue
“On the Film Shakedown by Leilah Weinraub,” by Juliana Huxtable. 

2020 — TIME Magazine
“Black Cinema: 25 Essential Movies,” by Cady Lang (September 3, 2020).

2020 — Black Futures
“Mother of the House,” by Thomas J. Lax.
In Black Futures, edited by Kimberly Drew & Jenna Wortham.

2020 — IndieWire
“‘Shakedown’ Is the Lesbian Strip Club Doc Good Enough That It’ll Be on Both Pornhub and Criterion,” by Jude Dry (March 3, 2020).

2020 — Variety
“‘Shakedown’: Film Review,” by Jessica Kiang (June 4, 2020).

2020 — Film Comment
“News to Me: Max von Sydow, Leilah Weinraub, and Kelly Reichardt,” by James Wham (March 9, 2020).

2020 — Vanity Fair
Shakedown Is a Must-See Documentary Now Streaming on Pornhub,” by K. Austin Collins (March 16, 2020).)

2020 — The New York Times
“Leilah Weinraub’s Radical Crossover,” by Melena Ryzik (April 3, 2020). 

2018 — The New Yorker
“Leilah Weinraub’s Radical Cinema of Privacy in Shakedown,” by Cassie da Costa (March 16, 2018).

2018 — Dazed
“Shakedown: LA Confidential,” by Hannah Black (June 28, 2018).

2018 — Cultured Magazine
“Both/And: The Brilliance of Multi-Hyphenate Leilah Weinraub,” by Rindon Johnson (December 11, 2018).

2016 — The New Yorker
“Hood By Air’s Radically Aggressive Streetwear,” by Christopher Glazek (August 29, 2016).

2014 — The New York Times
“Hood By Air’s Collective Fashions,” by Jonah Weiner (September 12, 2014).

Select Video Interviews2019 — Shakedown: Director’s Commentary — DIS.art

2019 — University of California Television (UCTV)
Shakedown — Interview with Leilah Weinraub
Interviewer: Mireille Miller-Young

2018 — Museum of Contemporary Art, Los Angeles
Shakedown Q&A — YouTube

2017 — Museum MMK für Moderne Kunst
MMK Talks — YouTube

Solo Exhibitions2018 – Gavin Brown’s Enterprise Harlem, New York, NY

2018 – What Pipeline, Detroit
Group Exhibitions
2025 Made in L.A. 2025, Hammer Museum, Los Angeles, CA

2023 São Paulo Biennial, São Paulo, Brazil

2021 Moving Image Biennial, Center for Contemporary Art, Geneva, Switzerland

2021 LEAN, Kunsthall Stavanger, Stavanger, Norway

2021 LEAN, Performa, New York, NY

2019 RE*:WORKING** LABOR*, School of the Art Institute Sullivan Galleries, Chicago, IL

2018 Putting Out, Gavin Brown’s Enterprise, New York, NY

2017 Whitney Biennial, Whitney Museum of American Art, New York, NY

Awards, Grants and Residencies 
2025 NewFest, Emerging Black LGBTQ+ Filmmaker Award (Seek No Favor)

2019 Sundance Institute, Art of Nonfiction Fellow

2018 Indie Memphis, Best Documentary Feature (Shakedown)

2018 Outfest, Special Programming Committee Award (Shakedown)

2018 Berlinale, Nominee, Teddy Award / Best Documentary Film (Shakedown)

2015 CFDA, Swarovski Award for Menswear (Hood By Air)

2014 LVMH Prize, Special Jury Prize (Hood By Air)

Frameline Completion Award (Shakedown)

Film Independent, Project Involve Fellow

Wexner Center for the Arts, Artist Residency

Education Bard - Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY

Antioch College - Media and Social Change, Yellow Springs, OH






Last Updated 25.11.20

Leilah Weinraub is a director and artist whose films and installations have been presented at the Whitney Biennial, Hammer Museum, MoMA PS1, Tate Modern, the São Paulo Biennial, and the Berlinale. Her practice spans narrative film, feature documentary, experimental cinema, multi-channel video installation, and performance.

Weinraub’s work examines power, identity, labor, and desire through genre-merging visual strategies that move between fiction and reality. She builds cinematic worlds that draw from noir, comedy, documentary, and performance to explore the architectures of myth, autonomy, and spectacle.

Her debut feature SHAKEDOWN—filmed over more than a decade—premiered at the Berlinale before screening internationally and later streaming on Pornhub/ART and the Criterion Channel. The film is now considered a landmark in contemporary nonfiction cinema.

Her short film Seek No Favor (2025), co-directed with Elle Clay, continues her interest in performance, subculture, and the logics of vigilante myth-making. Weinraub’s large-scale project THE KIDS (2025) was commissioned for Made in L.A. 2025 at the Hammer Museum and presented as both a live play and a four-channel video installation.

Beyond filmmaking, Weinraub was a co-founder and CEO of Hood By Air, where she directed the brand’s creative and strategic identity, runway shows, films, and global presentations—helping shape HBA’s emergence as a defining cultural phenomenon of the 2010s.

She has been a visiting artist at Columbia University, Yale University, and the Rikers Island Jail Library Program, and is the founder of the production studio Texarkana.

Weinraub is based in Los Angeles and New York.